A Report From Rehearsal: Exploring the Physicality of the Characters (Post Two)

(This post is by Kristin Kury, BMC class of 2016.)

“A lot was done, there’s more to do. Let’s go!”
-My iambic pentameter check in that is applicable to our rehearsal process

For the last hour of our rehearsal we got to play in the Teaching Theater and investigate where our God Spies and our Shakespeare characters live in our bodies. Given nothing but an eclectic soundtrack, a rack full of trench coats, and the freedom to move throughout the black box, we were let loose.

We were told to stay initially as independent God Spies, but we eventually began to interact with one another. This was particularly interesting because we had no way of knowing if someone else was their God Spy or their Shakespeare character. However, in our post-activity discussion many people seemed to be able to tell the difference.

Personally, what I enjoyed most about this activity was the sense of play. It wasn’t about performing, or figuring out what’s “right”–it was just exploration. Nothing mattered, and yet everything could be a great new discovery.